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Łabandzi Śpiew "But there's a lot more to this album as it's one of the best ambient works I've heard for some time now. Together, the two artists create some extremely beautiful soundscapes of multi-layered electronica and longing", more: labandzi.blogspot.com/2021/07/carlos-ferreira-almanacs-la-deriva-2021.html Favorite track: Ausencia, Desdén y Fortuna.
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Orbe 05:55
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Perdulario 04:20
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Imprevisto 04:01

about

"One of the main aesthetic reasons for making 'La Deriva' was the fact that it was an ambient music record produced by two Latin American musicians. This is not innovative, nor is it intended to be a secretive element (actually it's the exact opposite). At what point does a political arbitrariness limits an identity? In a capitalist world that uses a "divide and conquer" modus operandi, this idea of unity is a form of resistance.

In the other hand, La Deriva (Spanish for "The Drift"), is an unplanned and spontaneous exploration of abstract concepts and blurry images that came together throughout a dynamical exchange of sound ideas,
textures, field recordings between Carlos Ferreira and Almanacs, and then converged together into a set of sound poems which lately became an album." CF / WM

Released by © Giraffe Tapes
GRFTPS009 | 2021
Available on limited edition cassette. If you'd like a physical copy, please visit: giraffetapes.bandcamp.com/album/la-deriva

credits

released June 28, 2021

Written & produced by Carlos Ferreira & Wilmer Murillo (Almanacs)
Mixed & mastered by Carlos Ferreira
Photo, design & layout by Oleksandr Demianenko

Copyright © Giraffe Tapes
giraffetapes.bandcamp.com

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Carlos Ferreira Porto Alegre, Brazil

Carlos Ferreira is a ambient/drone musician from Porto Alegre, Brazil. He uses guitar-based textures to create sonic landscapes. Artist at Past Inside The Present (USA) he has released albums on several labels worldwide, including Assembly Field (UK), Past Inside The Present (USA), ARCHIVES (Spain), Atlantic Rhythms (USA), Giraffe Tapes (Georgia), Aural Canyon (USA) & Histamine Tapes (USA). ... more

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