1. |
secret colours
05:18
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2. |
bild
06:57
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3. |
modern landscapes
05:00
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4. |
new journeys
07:13
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5. |
untitled, saturday
04:52
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6. |
tired lights
05:58
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7. |
concrete dreams
05:45
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8. |
at the end, together
07:21
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Carlos Ferreira Porto Alegre, Brazil
Carlos Ferreira is an experimental guitarist & composer, whose work is concerned with the nature of listening, and explores the relationship between sound, space, time & memory. Artist at Past Inside The Present (USA), Modern Obscure Music (Spain) & AKP Recordings (USA). ... more
Carlos Ferreira recommends:
Architecture of Loss
by Valgeir Sigurðsson
This record is a real piece of art. Beautiful sound textures, brilliantly sculpted. Valgeir is a big influence of mine, and this record was probably what I heard most of him. Highly recommended!
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Library Music Vol. 1
by Fu_k The Zeitgeist
Second album by my friend Fu_k the Zeitgeist, co-producer of "Híbrido". From all of his solo discography, this is probably my favorite. Also had the privilege of participating in several tracks.
go to albumIf you like in a sad red dusk, we were finally leaving, you may also like:
supported by 9 fans who also own “in a sad red dusk, we were finally leaving”
A beautifully melancholy collection of beatific, measured drones, subtle, pensive Eno-isms, surreptitious crackling ambiance and sedulously unfolding layered synths that coalesce into a staggering record of darkly tinged splendor! Long dog walks with headphones are highly recommended accompaniments to this LP!
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supported by 9 fans who also own “in a sad red dusk, we were finally leaving”
I think that's the best HN album. Great work guys!!!
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Hong Kong's Enor D reinterprets nursery rhymes as noise pieces with elements of musique concrete on this playful new album.
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Death of Natural Light
by Deuce Avenue
As Deuce Avenue, Noah Anthony explores an unhurried, warm style of drone music that is less abrasive and more subliminally soothing.
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